Discover the GFX Eterna Cinema Camera
Since its establishment in 1934, the Fujifilm Group has been a key player in the global film industry, renowned for innovations such as the ETERNA series of motion picture color negative films and the introduction of advanced cinema zoom lenses like the Premista Series and ZK Cabrio Series.
In 2017, Fujifilm launched the groundbreaking GFX System of mirrorless digital cameras, continuously enhancing its features, including video performance.
With the upcoming GFX ETERNA, Fujifilm aims to transform high-end production. By combining its deep expertise in filmmaking with the cutting-edge technology of the GFX System and the exceptional quality of Fujinon lenses, the company seeks to set a new standard for cinematic excellence.
Fujifilm is also developing a new GF power zoom lens, with a planned focal length of 32-90mm, designed to meet the demands of modern production environments.
As the demand for creating feature films, short films, television content, documentaries, and web streaming material continues to rise, the need for high-quality footage that can be efficiently produced is greater than ever.
Ahead of the GFX ETERNA launch, Fujifilm will conduct extensive field testing to ensure it delivers unparalleled quality, flexibility, and ease of use, reaffirming its commitment to supporting the evolving needs of the production industry.
GFX Eterna monitor specs
Although Fujifilm previously revealed the GFX ETERNA body with its dual displays, a main monitor and a secondary menu screen, the exact specifications remained undisclosed until now.
The primary LCD will be a 5-inch 16:9 panel with 6.22 million dots and a maximum brightness of 2,000 nits, ensuring good visibility in bright conditions.
The secondary on-board menu display will measure 3 inches with a 3:2 aspect ratio, featuring 1.04 million dots and a maximum brightness of 700 nits, similar to screens found on other Fujifilm camera backs.
Optical low pass filter
To minimize moiré and false color artifacts, the GFX Eterna will incorporate several filters positioned in front of its 43.8 by 32.9-millimeter 100-megapixel sensor.
These include a wave plate, an IR-cut filter, and two low-pass filters.
Unlike the GFX 100 II, which prioritizes maximum resolution for still photography, the GFX Eterna is designed for filmmaking, where a more natural image, sometimes slightly softer, is preferred.
This is especially relevant since the camera records video up to 8K resolution, not at the full 100-megapixel sensor capability.
GFX Eterna sensor formats
Regarding the 100-megapixel sensor, Fujifilm has detailed the various sensor formats supported by the GFX ETERNA. The camera will record in GF format 4:3 Open Gate, as well as GF DCI, Premista DCI, 35mm DCI, 8K DCI (pixel-for-pixel), and Super35 DCI formats.
The GF format options, which use nearly the full sensor width and GF-format lenses (or those with similar image circles), include Open Gate (3840 x 2880), DCI 8K (8192 x 4320), Cine 5.8K (5824 x 2436), DCI 4K (4096 x 2160), and FHD (2048 x 1080). Most of these modes utilize the full sensor width, except for DCI 8K, which slightly crops in. Open Gate recording supports frame rates up to 48p.
Additionally, the GFX ETERNA will support Premista, 35mm, Anamorphic (35mm), and Super35 formats, with resolutions ranging from FHD up to DCI 8K. While some recording modes overlap with those available on the GFX 100 II, several are exclusive to the GFX ETERNA. Notably, the GF Open Gate mode is a standout feature unique to this camera.
GFX Eterna In-Camera Codecs
Built on the GFX 100 II platform, the GFX ETERNA will support familiar codecs such as ProRes 422, H.265, and H.264. It will be capable of recording Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT, HEVC/H.265 (4:2:2 10-bit), as well as ProRes and H.264 proxies directly to internal storage (CFexpress Type B and UHS-II SD cards).
Additionally, the camera will offer external recording via HDMI, supporting 4:2:2 10-bit uncompressed video and 12-bit RAW video files.
Film simulations
The GFX ETERNA will support 20 Fujifilm Film Simulations, including classic options like Provia, Velvia, Astia, Classic Chrome, and Acros.
It will also feature the Reala Ace Film Simulation from the GFX 100 II, as well as the video-oriented Eterna simulation first introduced with the Fujifilm X-H1.
GFX Eterna 3D LUT Support
The GFX Eterna will support 3D LUT loading and can store up to 16 custom Lookup Table files.
Alongside Film Simulation support in the GFX Eterna, Fujifilm announced that it is developing new 3D LUTs for select Film Simulations in F-Log2 and F-Log2 C (with ITU-R BT.709). These will be available to download from the web, and the following Film Simulations will be supported:
- Eterna
- Eterna Bleach Bypass
- Provia
- Velvia
- Astia
- Reala Ace
- Classic Chrome
- Classic Neg.
- Acros
Customizable framing guides and remote multi-camera control
The GFX ETERNA will offer customizable framing guides, allowing users to save up to three presets with adjustable aspect ratios (e.g., 2.39:1, 16:9), scaling, colors, and line widths.
Additionally, the camera will support remote multi-camera control through a web browser-based application, enabling local operation over wired or wireless networks.
Bluetooth low energy support for accessories
The GFX ETERNA will feature Bluetooth Low Energy (BLE) for connectivity with compatible accessories such as the Atomos AirGlu and Fujifilm TG-BT1 Tripod Grip.
It will also support timecode synchronization with select devices, including those connected via USB-C.
